Sotto i portici (Under the Porticoes)

A journey into the rich musical life of Baroque Bologna through violin and trio sonatas

A laboratory of instrumental innovation

This programme explores Bologna’s unique musical landscape through sonatas, ricercatas, and keyboard works by composers connected to the city, including Giovanni and Antonio Bononcini, Giovanni Battista degli Antoni, Giuseppe Torelli, Giuseppe Maria Buini, Pirro Albergati, and Agostino Tinazzoli.

Framed by the music of Arcangelo Corelli—whose Op. 5 became a landmark of the European violin repertoire—the programme highlights the dialogue between improvisation, invention, and expressive rhetoric that defined the Bolognese style.

Prepared during Ensemble Nocturnalia’s artistic residency at the Festival de Torroella de Montgrí, this programme celebrates the trio sonata as one of the Baroque’s most inventive and communicative genres.

Giovanni Bononcini
Sinfonia a violino, violoncello e organo, Op. 6 (1687)

Giovanni Battista degli Antoni
Ricercata per il violino e il violoncello, Op. 1 (1687)

Antonio Bononcini
Sonata for Cello and Basso Continuo (c. 1693)

Pirro Capacelli Conte Albergati
Sonata for Solo Cello, Op. 8 (1702)

Arcangelo Corelli
Sonata from 12 Violin Sonatas, Op. 5 (1700)

Giuseppe Torelli

Trio Sonata, PasT A.4.2.2 (c. 1710–1725)

Agostino Tinazzoli
Selection from Sonate e Capricci per il Cembalo (1727)

Various composers
Selection from 18 Sonate da organo di varii autori (c. 1697)

Giuseppe Maria Buini
Violin Sonata No. 3, Op. 1 (1720)